Please contact us:

Curatorial Team: 
  • Bob Fink, Professor, University of California, Los Angeles
  • Andrea Moore, Postdoctoral Fellow, University of California, Riverside
  • Susan Thomas, Associate Professor, University of Georgia
Assistant Editor: Daniel Walden, PhD Candidate in Music Theory, Harvard University

AMS Officers:
  • Roger Freitas, chair, Committee on Communications, American Musicological Society
  • Robert Judd, executive director, American Musicological Society
  • Martha Feldman, president, American Musicological Society
AMS Communications Committee:

  • Sean Lorre, Joshua O. Neumann, student representatives
  • Blake Howe, Moderator asst
  • Robert F. Judd, Martha Feldman, Robert W. Fink, Jason Hanley, Nathaniel G. Lew, James Parsons, Steve Swayne, Michael Tusa, ex officio
  • Tim Watkins, AMS-L
  • Melanie Lowe, Matthew Mugmon, John A. Rice, Meghan Joyce Tozer, James L. Zychowicz, additional members

Curatorial Team Biographies:

Bob Fink (Professor) is a past chair of the UCLA Musicology department, and currently Chair of the UCLA Herb Alpert School of Music’s Minor in the Music Industry. He also currently serves as President of the US Branch of the International Association for the Study of Popular Music (IASPM-US). His research focus is on music and culture after 1950, with special interests in the history and analysis of African-American popular music and the politics of contemporary art music. His book Repeating Ourselves, A Study of American Minimal Music as a Cultural Practice appeared in 2005 from the University of California. He is currently teaching a class on Public Musicology (and blogging is on the syllabus).

Andrea Moore is a Chancellor’s Postdoctoral Fellow at the University of California, Riverside. A 20/21st-century specialist, much of her research focuses on new music and concert culture after 1989. Her current work includes a study of post-Cold War music and the globalized politics of identity, and an ongoing investigation into the intersections of classical music, labor, class, and neoliberalism. She is the co-founder of the “Musicology and the Present” conference series, and has co-chaired its two major conferences: “Musicology and the Present” in 2013, and this fall at UMass Amherst on “What We Talk About When We Talk About New Music.”  Andrea is a former percussionist and arts administrator, and is the program book annotator for the River Oaks Chamber Orchestra (Texas) and Camerata Pacifica (California). 

Susan Thomas is Associate Professor of Music and Women's studies at the University of Georgia. Her book Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage (University of Illinois Press, 2009) was awarded our own Robert M. Stevenson Prize and the Pauline Alderman Book Award from the International Association of Women in Music.  She has held research fellowships in the David Rockefeller Center for Latin American Studies at Harvard University and the Stone Center for Latin American Studies at Tulane University and is currently completing her second book, The Musical Mangrove: The Transnationalization of Cuban Alternative Music.